Marsh's oeuvre seamlessly blends the use of line, surface, form, repetition, and layers to create a cohesive visual language that seamlessly flows between abstraction and narration. Her work is deeply rooted in the immersive process of art-making, and this is evident in the way she uses negative and positive space to connect multiple mediums.

Marsh's work has garnered significant attention, and has been commissioned and collected for a wide range of settings, including public art, private collections, medical and educational facilities, corporations, cities, military bases, and hospitality locations both within the United States and beyond.

The artist is particularly renowned for her pierced metal narrative sculptures, which are contemporary installations that relate to the specific environment and seek interactivity with viewers. These works connect to viewers personally through their history, collective values, and goals, or the world immediately surrounding them. Additionally, Marsh's sculptural series include organic stone sculptures in marble, limestone and alabaster.

Her sequential series in oil and acrylic painting, as well as mixed media collage work, explore abstract concepts of time, relationships and experiences, and marks and gestures as identity. Her minimal paintings on paper are immersed in immediacy and repetition. Abstract frescoes further explores strokes and lines carved into a 2d surface.

Marsh's artistic practice began with a multifaceted approach while earning her Bachelor's degree in Art Education at Penn State, where she honed her skills in ceramics, fiber, and jewelry. Her passion for surface, texture, and process soon extended to other mediums, and after receiving a Master's degree in Art from Cal State Long Beach, where she delved into research of ethnic crafts and their patterns and symbols, she further honed her skills through post-graduate architecture classes at the University of California at Irvine, which informed her understanding of spatial and 3D design organization.

Her early sculptural work in cast paper eventually led to large-scale, multi-piece installations. Always experimenting with various mediums, Marsh ultimately gravitated towards metal, particularly stainless steel and aluminum, for her large-scale public commissions and installations across the United States. Utilizing techniques such as drawing in CAD and cutting plates with laser or water jet, Marsh's work seamlessly fuses sculpture and drawing, with shadows becoming an additional, ever-changing layer and transparent color adding depth to a brushed surface.

Marsh currently resides and creates in Dana Point, California, and in 2010 she was honored with the "Artist of the Year" award in Laguna Beach, California.

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