Representation & Exhibition Portfolio
My current work—Strataforms and Strataform Paintings—marks a return to deeply personal studio practice, shaped by decades of working across sculpture, public art, and material experimentation. These new pieces explore themes of time, erosion, and layered memory, drawing from the exposed geologic strata I encounter on daily hikes near the Pacific. Sculpted in hand-manipulated paper or built through textured surface and color, they invite reflection and quiet resonance.
While I am no longer seeking public art commissions, I welcome opportunities for gallery representation and museum exhibition. The selection below highlights recent work alongside key public installations—offering context, continuity, and insight into the evolution of my artistic voice.
Also included is a recent series of works on paper, in which a single brushstroke can imbue the surface with meaning—echoing the idea that a solitary act can lead to transformative change. These pieces, rooted in gesture, light, and restraint, reflect my ongoing interest in the interplay between material and metaphor.
Strataform wall installation, #70115, 76 x 156 x 5 inches, paper, PVA, rope, stainless steel cable
Strataform #70116, 40 x 55 x 4 inches, paper, PVA, stainless steel cable
Strataform #70109, 42 x 58 x 4 inches, paper, PVA, wire
Strataform #70120, 42 x 70 x 4 inches, paper, PVA, wire
Strataform #70118, 36 x 57 x 4 inches, paper, PVA, wire
One #70302, 54 x 36 inches, paint on paper
One #70307, 54 x 36 inches, paint on paper
One #70305, 54 x 36 inches, paint on paper
One #70309, 54 x 36 inches, paint on paper
Connectivity Santa Fe Depot, Oklahoma City, OK – stainless steel and fused glass, 9' x 8' A suspended sculpture of arcs and rings symbolizing interconnection and motion, illuminated by shifting light and visible from street, lobby, and train platform.
Cyclic Synergy Oklahoma State University, Ardmore, OK – stainless steel, 8' x 8' Six sculptural panels depict the evolution of agricultural research—from sun and soil to science and synthesis—arranged in a molecular form.
Orange in Motion City of Orange, CA – stainless steel, resin-coated panels, 36' installation A vibrant pedestrian tunnel installation combining sculptural oranges and flowers with pierced historical text—blending local identity with motion and color.
Steps in the Sand Laguna Beach, CA – stainless steel and concrete, 14.5' x 5.25' A sculptural timeline honoring the layered human history of Laguna Beach, told through nine pierced metal panels unified by the coastal horizon.